Best Canon Lens For Low Light Photography

You're looking for the right lens for low light photography with your Canon but you're not sure which is the right one. The lenses with the largest apertures are the best for taking photos of dimly lit subjects. These include lenses that open up to maximum f/stop numbers of  f/2.8, f.2.0, f/1.8, f/1.4, and f/1.2.

Large aperture lenses like this f/1.8 lens are best for dimly lit subjects.

With Canon having so many lenses to choose from it can be confusing as to which one is the best for you to use with low lighting. This post will give you the list of "fast Canon lenses" and conclude with the recommendation for best lens to use in a few specific situations that you may encounter.

Let's dive into the top ten list first and then look at the full list.

top ten canon lenses for dark conditions

These are the top 10 recommended Canon lenses for low light photography.

complete list of all canon low light lenses

Here's is the more complete list of Canon lenses that work well in dimly lit situations.

There are few discontinued lenses that are basically irrelevant that are not included on this list. All of the lenses are readily available, if not new, then in great shape as a used lens.

budget lenses for dark conditions

You can save money on lenses for shooting in low lighting conditions by limiting yourself to one of the lenses listed in the ad below. I enjoy using both a 50mm f/1.4 and an 85mm 1.8. On my APS-C sized 90D they both make great portrait lenses.

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How to get good exposure in low lighting situations

There are 3 ways to ensure that a subject that's under a low lighting situation can get enough light for a proper exposure and a nice looking photograph.

1. SHUTTER SPEED. Use a slower shutter speed to allow more light into your camera. This may add a little blurriness to the resulting image, depending on subject movement, camera movement, and focal length of lens. Overcome this with image stabilization or use a tripod.

2. HIGH ISO. You can decreases the amount of light needed to strike the camera sensor by using a higher ISO setting. This may affect image quality by adding some digital noise to the resulting photo. Depending on the level of ISO and the processing of the image you can use software to reduce the noise and sharpen your photo.

3. APERTURE. You can allow more light into the camera by using a fast lens that helps in low lighting situations. You can use a lens that has a large maximum aperture (like one of the ones listed in this post). The smaller the f/stop number, then the more light that can enter the camera.

Lens opening with different apertures comparison

fast lenses for specific situations

Before we look at a few specific types of dimly lit subjects I do have a recommended general purpose low light lens for you to use with your smaller APS-C crop cameras and a recommendation for full frame sensor camera users.

These APS-C cameras included all the following Canon Rebel cameras, t3i,t6i, t4i, t7, t5, t7i, t5i, t8i, t6, SL 1, SL 2, SL 3, 7D, 7D Mark II, 77D, 50D, 60D, 70D, 80D, and 90D. Full frame include the entire 1D, 5D, 6D and mirrorless R series of Canon cameras.

I recommend the Canon EF-S 17-55mm f/2.8 lens. Although it's a little bit older, it has image stabilization and is the only zooming lens out of the few large maximum aperture Canon lenses that are designed for the hobbyist Canon shooter.

You can see in the list of low light lenses above, that all 3 of the other EF-S lenses are non-zooming prime lenses. The 17-55mm f/2.8 is the only large aperture zooming lenses Canon has for photo enthusiast camera users.

With the same just-one-lens idea for a full frame Canon, I recommend the Canon EF 24-70 f/2.8. That gives you a similar zoom range as the recommended EF-S 17-55mm lens mentioned above.

best canon lens for low light concert photography

Concert photography and similar indoor events can be a great challenge to take on as it can be crowded and the lighting can be both have high contrast and at times quite dim. The best lens should be a fast zooming lens with wide angle abilities. Both the Canon 24-70 f/2.8 and the Canon 16-35 f/2.8 are recommended.

Concert photo by Vishnu R Nair from Pexels

Both are considered professional lenses and come along with professional price tags. The 16-35mm will give you a better wide angle view which is perfect for concert photography and other indoor event type of photography.

Both of these Canon lenses have more than 1 version with the most recent versions coming with a larger price tag. See the prices below.

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best low light lens for photographing the milky way

Photo by Miriam Espacio from Pexels

FAST AND WIDE.  To avoid using those super high ISO settings, you're going to want a wide angle prime lens that ideally opens up to f/2.0 as a minimum. Prime lenses give you the sharpest images when shooting wide open as compared to most zoom lenses.

I recommend a compromise in the Canon EF-S 24mm f/2.8 IS for crop camera shooters. It's not ideal at f/2.8, but it's a good starting lens for beginning photographers.

Its' very small and light due to its simple design. It has very good sharpness shooting wide open which is an absolute must-have feature for shooting the night time skies.

Ideally, if you can afford it, the Canon EF 24mm f/1.4L II is a great dark sky lens. It's super wide maximum aperture and wide enough angle of view make it work for either  APS-C or full frame Canon cameras.

best canon lens for low light sports photography

Lenses that have a wide open aperture are good for shooting sports because they enable you to use faster shutter speeds to freeze the action. In low light situations, it's extra challenging and you sometimes have to adjust the ISO to a very high setting.

Most sports photography involves larger distances between you and the action. That means you need some decent telephoto power. The Canon EF 300mm f/2.8 is a professional lens with incredible performance..

Notching it up one additional step in magnification is the Canon EF 400mm f/2.8. This lens is only for those with a big balance in their checking account.

Both the 300mm and 400mm lenses work with either sized Canon camera body. Mounted on an APS-C camera you get additional 1.6 times narrower angle of view.  With the 300mm lens, you'll get the view of a 480mm lens. With the 400mm lens, you get the view of a 640mm lens.

best canon lens for low light wedding photography

The number one Canon lens for wedding shooters is the Canon EF 24-70mm f/2.8 II. You can shoot at different focal lengths without having to change lenses. It's maximum aperture of f/2.8 throughout the zoom range allows you to shoot in less than ideal lighting situations.

Wedding bouquet using natural lighting

The 24-70mm f/2.8 lens is joined by the Canon 70-200mm f/2.8 as the two most popular wedding and portrait lenses by Canon. The 70-200mm lens is perfect when you want to take those detail shots and more distant perspectives like the formal full length poses of the bride.

low light portrait lens

The photo below was taken with another lens that's great for shooting portraits in dimly lit environments, my Canon 50mm f/1.4. For me, it's a fun return to using the same single focal length lens I started with over 40 years ago.

Portrait taken indoors without flash at f/1.4
(Canon EF 50mm f/1.4 Lens)

Although thought of more as a general purpose lens rather than a portrait lens, any one of the four Canon 50mm lenses works well for shooting portraits. The photo above is straight out of the camera. Shot with a crop sensor Canon 90D, you get the same angle of view as an 80mm lens. That essentially makes a 50mm lens a typical focal length for shooting portraits.

A fourth lens is worth mentioning as fast and good for shooting portraits. There are 3 versions of Canon's 85mm prime lens. I use the f/1.8 for low light shooting.  Although you can't shoot large group shots without backing a bit further away from your subject, the 85 primes are an extremely affordable way to shoot professional portraits.

closing remarks on canonlow light lenses

Canon makes several good lens choices for shooting in low light. If you want just one general purpose lens and you'd like to shoot a variety of low lighting situation then I recommend the 17-55mm f/2.8 for Canon APS-C shooters and the 24-70mm f/2.8 for full frame Canon camera shooters.

If you want to get one of the really wide open aperture lenses, then your budget will have to be much larger.

I hope you found his post helpful. To search for an topic on Canon gear use the search box below. For related lens posts use one of the links below my signature.

Cheers!

Bruce Lovelace is the publisher of Canon Camera Geek. Read more about him on the About Page. He also publishes how to articles and camera gear reviews at the Photography Tips website.

View some of Bruce's photos on Instagram  and Flickr.   Join the tribe of followers on YouTube. Bruce also runs photo workshops and provides 1 on 1 digital photography coaching.

As an Amazon affiliate Canon Camera Geek receives a small commission from qualifying purchases, at NO added cost to you.

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